CHARLES JENCKS

Black hole, galaxies, the Sun and comets on the one hand, and on the other - DNA, cellular structure, quarks, atoms and particle collisions. Macrocosm and microcosm. Can they be art?
“To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour”
This poem, Auguries of Innocence by William Blake seems to be the oft-quoted motto of Charles Jencks’ work as an artist. 
 Charles Jencks, American architecture theorist, whose textbooks I learned from during my time at the university, boasted diverse interests in architecture and sculpture, genetics, randomness theory, physics, fractal geometry, prehistoric artefacts, biology and cosmology. What is more, he had a tendency to mix all of that with various means of expression, such as steel, stone and earthen sculptures, mixed well with the substance of parks and gardens, all to end up with a unique interpretation of various scientific theories.
The story has it that it all started by accident, when Jencks and his wife Maggie decided to build a garden pool for their children. At some point, they realised that they didn’t know what to do with the heaps of soil left after digging up the hole. My imagination tells me that it went more or less like that: Maggie, an expert in Chinese gardens, asked her husband to clean up the mess made when they built the pool and to create a garden instead. And Charles was happy to oblige – but with his own twist. Well, maybe not only his own, since he mentioned many times that they came up with the idea for the garden together. And that’s how it started. First garden, then second, then another one. Soon, it turned out that this “landart” would become his magnum opus. Jencks’ gardens remind me very much of the ones from Alice in Wonderland. That’s also how I felt in the Garden of Cosmic Speculations in Portrack near Dumfries, stumbling upon incredible surprises at every turn, just like Alice.
It always makes me amazed how the artist’s concept can translate into art. In the case of Jencks, scientific theories are translated into landscaping designs. DNA? Sure! Let’s put it in a herb garden. Green walls, a nucleus and a double helix made of metal in the centre.
A black hole? Why not! Metal, plastic, turf – there you go! It’s like something taken straight from a fairy tale.
Fractal Pond.
The Universe Cascade.
Symmetry Break Terrace.
Quark Walk.
At one point, while walking in the garden, I started wondering what do woman’s buttocks do in this elegant and refined company?
The artist was passionate about parks and gardens. While the Garden of Cosmic Speculation is a private garden, open only for one day every year, the Cravick Multiverse near Dumfries is a public park, created in the areas destroyed by mining. The works there started in 2012, and the park was finished in 2015, after just three years of work. I’m mentioning this because our Silesia is in dire need of recultivation.
But, back to the park. in the very heart of the establishment, the visitors can find an enormous emblem of the Sun,
By Rosser1954 - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42322079
surrounded by hundreds of stone comets. The two hills represent galaxies – Andromeda and the Milky Way.

By Rosser1954 - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42321982
The whole piece resembles Stonehenge or Brodgar, which the author often references.
By Bob Jones, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=14078803
The beauty of this place lies in the fact that you have to climb to the top of the mountain to see and understand the concept, and that you have to walk around quite a bit – after all, it’s 25 acres.
Gazing into space ultimately led Charles Jencks to CERN in Switzerland. Everybody knows that most people don’t understand what scientists are saying, which is why he quickly became their favourite artist and started working on the surroundings of the CERN dome building. Unfortunately, this place was also destroyed by humans, who littered it with car parks. The remainder was left to Jencks, who designed it after long debates with scientists. From the conversations and discussions emerged the concept of Ouroboros, a snake that swallows its own tail, which represents the efforts to reconcile the theory of relativity with the quantum theory – since no one knows which of these is superior and which one swallows the other one. And thus, an Ouroboros was created around CERN.
As a woman, I can't forget the enormous form-sculpture of a woman in Northumberland, supposedly the largest in the world. This sculpture is a particularly great example of the way the architect references archetypes, in this case the archetype of a Palaeolithic woman.
By User:MatthiasKabel - Praca własna, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=9444845
By Data: The OpenStreetMap communityMap: Smurrayinchester - Openstreetmap, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=50348088
It's a shame I don't have a bird's-eye view photo available – but you can find it online, if you want. It’s definitely worth it, since the concept is very unusual. The sculpture is a park with kilometres of paths crossing an even larger, 20-hectare park.

By AWhiteC - Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=16178292
Of course, I could not overlook the Architecture of Hope – the idea he came up with together with his wife, and the most human work of his. The idea came up when Maggie got cancer. The cold, inhuman healthcare system often deprives the sick of hope, which is why, as a response to the cold surroundings that Maggie was treated in, the couple started their Architecture of Hope project, which the artist continued after his wife's death in 1995 – until his death in 2019. The idea entailed cancer care centres designed in the most human-centric way possible, with the best possible care, so as to give patients and their families as much hope as possible. Famous architects, including Frank Gehry and Zaha Hadid were invited to take part in the project.   In total, more than ten such centres were established. And while I have no doubt that Jencks’ parks will survive like the Stonehenge, Maggie’s Centres are the most significant and vibrant works of the architect at the moment.
          By Russ Hamer - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=18235460
I’ll end by sharing some of my photos from my trip to the Garden of Cosmic Speculation, just to encourage you a bit. The garden is open only for 5 hours every year, on a single day. But it’s so worth it!
A website hosted by John Jencks, who gave his permission to publish pictures from the private garden, is linked at the bottom of the post.




https://gardenofcosmicspeculation.com
https://www.instagram.com/thegardenofcosmicspeculation/


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